1948

The 1948 Philadelphia quarter saw 35,196,000 pieces struck, a noticeable rebound from the 22.5 million produced in 1947 as the Mint responded to renewed commercial coinage demand at the end of the decade. The 1948 figure puts Philadelphia output well above its 1947 neighbor and meaningfully above the 1949 figure that follows, framing the date as the high point of late-1940s Philadelphia quarter production. John Flanagan's portrait of George Washington continues without alteration from the 1932 design, and the mintmark spot on the reverse is empty, the correct configuration for Philadelphia quarters of this period before the P mintmark debuted on quarters in 1980.

Strike quality on most 1948 examples is acceptable, with the typical late-1940s pattern of slight softness on Washington's hair above the ear and on the eagle's breast feathers. Examine the date and the motto IN GOD WE TRUST under five-to-ten-power magnification for any hub doubling; the late-1940s die shop was not as careful as the 1930s operation, and minor secondary impressions do occasionally appear on the obverse. None of the doubling on the standard 1948 obverse rises to a Cherrypickers' Guide listing, but eye-appeal grading at the upper end of Mint State is sensitive to it. Counterfeit risk on the date itself is low, but the issue is sometimes the host coin for added-mintmark alterations targeting the 1948-S and 1948-D, so raw mintmarked attributions deserve a close look at the punch base.

The coin is a routine date in the modern catalog, set-fillable in circulated grades for prices near silver melt and obtainable in MS65 without much hunting. Original-color toning examples command pleasing premiums, since most surviving pieces have been dipped or cleaned during the seven-plus decades since striking. The realistic acquisition path is a certified MS65 or MS66 sourced through a major auction, with the genuinely difficult upgrade target arriving at MS67 where population census numbers thin out and pricing climbs into four-figure territory. For the broader story of John Flanagan's design and the series' production arc, see the Washington Quarter series history.